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Below,
explains key word concepts -->
new events ....
numeric Schmidt inverter DIP-14
political science Diplomat
Code name --> Rosenfeld --> Rosen + feld ..
the Einstein-Rosen data field ....
data stream with human interceptor Rosenfeld ....
with the Paul Dirac quantum source DATABASE at
Rose...Roselawn Cemetery
codes --> November 20 and 4 after --> 24 hours
thus the 20 amino acids equation .....
plus/or minus 4 DNA nucleotides ...
giving 20 plus 4 dna = 24 hour clock
and
giving 20 minus 4 dna = 16 hour clock
Rembrandt - Wikipedia
https://en.wikipedia.org/wiki/Rembrandt
Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century,Rembrandt's ...Rembrandt (1606–1669): Paintings | Essay | Heilbrunn Timeline of Art ...
https://www.metmuseum.org/toah/hd/rmbt/hd_rmbt.htm
Rembrandt van Rijn is usually regarded as the greatest artist of Holland's “Rembrandt
Rembrandt and his Rapid Eye Movement CAPTURE
Rem --> the EYE .... secret SOFTWARE language city ...
a traveling CITY within the velo.CITY of light
Belshazzar's Feast
(captured by the REM of Rembrandt)
Belshazzar's Feast is a painting by Rembrandt housed in the National Gallery, London. The painting is Rembrandt's attempt to establish himself as a painter of large, baroque history paintings.[1][2]
The story[edit]
The story of Belshazzar and the writing on the wall originates in the Old Testament Book of Daniel. The Babylonian king Nebuchadnezzar looted the Temple in Jerusalem and has stolen the sacred artefacts such as golden cups. His son Belshazzar used these cups for a great feast where the hand of God appeared and wrote the inscription on the wall prophesying the downfall of Belshazzar's reign.
The inscription on the wall is an interesting element
in this painting. Rembrandt lived in the Jewish Quarter of Amsterdam and "derived the form of Hebrew inscription from a book by his friend, the learned Rabbi and printer, Menasseh ben Israel, yet mistranscribed one of the characters[3] and arranged them in columns, rather than right to left, as Hebrew is written."[1][4] This last detail is essential as it relates to the question of why Belshazzar and his advisers were not able to decipher the inscription and had to send for Daniel to help them with it.[5] The biblical story does not identify the language of the cryptic message, but it is generally assumed to be Aramaic, which, like Hebrew, is written in right-to-left rows, and not in right-to-left columns as in the painting. Although there is no accepted explanation why the Babylonian priests were unable to decipher the writing,[6] the point of this unconventional arrangement – reading the text in the painting in the conventional row-wise left-to-right order results in a garbled message – may be to suggest why the text proved incomprehensible to the Babylonian wise men;[7] indeed, this explanation is in accordance with the opinion of the amora Shmuel, which is mentioned in the Babylonian Talmud, Tractate Sanhedrin, 22 a, among various dissenting views. However, it seems unlikely that Rembrandt would have known this, as there is no evidence to suggest he was proficient in the Talmud.
The inscription on the wall is an interesting element
that may LINK to ...
.
End explanation
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